Annabel Lee (Epic Version)

by Valentine Wolfe

Released 2017
Released 2017
Two classically trained musicians combining ambient solo bass, brutal distortion, electronica, and 18th century opera to tell a story of the macabre.
  • 12:30 Lyrics
    Annabel Lee (Epic Version)

    Annabel Lee 

    It was many and many a year ago, 
    In a kingdom by the sea, 
    That a maiden there lived whom you may know 
    By the name of Annabel Lee; 

    When Death came in to steal her from me 
    I tried to put up a fight 
    But I was no match for that figure cloaked in black 
    And I lost my bride to the night 

    She was a child, I was a child 
    In that kingdom by the sea 
    How cruelly then she was taken from me 
    My beautiful Annabel Lee 

    She was singing at her piano 
    Such a beautiful sight to me 
    But blood has now consumed our lives 
    It is dripping from the keys 

    She was a child, I was a child 
    In that kingdom by the sea 
    How cruelly then she was taken from me 
    My beautiful Annabel Lee 

    "Let me have under her own hand 
    A letter bidding me goodbye 
    I may die, My heart will break 
    But I will say no more." 

    It was many and many a year ago, 
    In a kingdom by the sea, 
    That a maiden there lived whom you may know 
    By the name of Annabel Lee; 
    And this maiden she lived with no other thought 
    Than to love and be loved by me. 

    I was a child and she was a child, 
    In this kingdom by the sea, 
    But we loved with a love that was more than love— 
    I and my Annabel Lee— 
    With a love that the wingèd seraphs of Heaven 
    Coveted her and me. 

    And this was the reason that, long ago, 
    In this kingdom by the sea, 
    A wind blew out of a cloud, chilling 
    My beautiful Annabel Lee; 
    So that her highborn kinsmen came 
    And bore her away from me, 
    To shut her up in a sepulchre 
    In this kingdom by the sea. 

    The angels, not half so happy in Heaven, 
    Went envying her and me— 
    Yes!—that was the reason (as all men know, 
    In this kingdom by the sea) 
    That the wind came out of the cloud by night, 
    Chilling and killing my Annabel Lee. 

    But our love it was stronger by far than the love 
    Of those who were older than we— 
    Of many far wiser than we— 
    And neither the angels in Heaven above 
    Nor the demons down under the sea 
    Can ever dissever my soul from the soul 
    Of the beautiful Annabel Lee; 

    For the moon never beams, without bringing me dreams 
    Of the beautiful Annabel Lee; 
    And the stars never rise, but I feel the bright eyes 
    Of the beautiful Annabel Lee; 
    And so, all the night-tide, I lie down by the side 
    Of my darling—my darling—my life and my bride, 
    In her sepulchre there by the sea— 
    In her tomb by the sounding sea. 

    She was a child, I was a child 
    In that kingdom by the sea 
    How cruelly then she was taken from me 
    My beautiful Annabel Lee

NOTES
Re-composing Annabel Lee

“Sure, we’ll do it!”

This is a phrase that, in the years we’ve been performing as Valentine Wolfe, have gotten us into no end of trouble. But more often than not, fun trouble.

Which was our mindset when we opened the old Logic files from 2012-2013 (Annabel Lee was the first song written for Once Upon A Midnight), and started trying to figure out how we were going to accept the challenge set before us., namely, take our version of Annabel Lee from a short 3-4 minute song and turn it into an epic, 9-10 minute song.

The first thing we had to do, then, was to figure out where the song could be expanded, and if the expansion would support the material already written.

The second thing was to determine how much of the old material would need to be re-recorded.

Some backing vocals and some texture sounding bass parts survived, but the lead vocals, distorted double bass parts, bass solos, and introduction were all completely re-done, along with the synth bass and drum programming (we kept the double kicks at the end).

The main expansion point chosen, as you’ll hear, occurs right after Edgar Allan Poe expresses his feelings of rejection from Virginia “Let me have under her own hand a letter bidding me goodbye”.

We linked what happens next with material that was hinted at in the new introduction.

All said and done, Sarah set the entire poem of Annabel Lee, which now forms a mammoth middle section of the new version of the song. Sarah’s melodies are clearly in the home key of f-minor, but are very open ended harmonically-this makes the whole section feel rather unsettled, with the reprise of the original material coming back as an epic arrival point-the musical version of a dreamer awakening from a deep sleep.

There’s also a pretty nice new bass solo/bass duet with the vocals in there, too.

Texture wise, we added more undistorted double bass as a background item (it’s a detail-listen close and you’ll hear it), and combined it with a King Crimson inspired soundscape (with some distortion).

We’re not sure if we’ll ever play it live; the only thing we are sure of is that it would be very difficult to play live (there’s some trickier than they sound time shifts in the middle section; Sarah set Edgar’s words with maximum fidelity and no small amount of virtuosic skill).

However, when it was all said and done, we’d written a song over 12 minutes long, making it the longest Valentine Wolfe song yet written. And it was amazingly epic and gratifying to do. We hope you enjoy this as much as we did making it for you.

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